This assignment was quite unexpected and arranged at fairly short notice which made it all the more exciting. It was also my first assignment travelling from Australia so quite unusual to be checking in at Perth airport and flying to Bangkok then Kigali rather than just going back to London and Jersey..!!

The aim of the trip was to give photographic coverage to 3 of the UK’s largest regional newspapers, the Manchester Evening News, the Liverpool Echo and the Yorkshire Post. Each had a journalist on the trip with the intention of reporting on CAFOD funded projects in Rwanda in time for fund raising events during Lent.

I’d been to Rwanda once before but only very briefly stopping overnight on the way to the Congo so it was a great opportunity to go back and have a closer look. These days, virtually everyone knows Rwanda due to the genocide back in 1994 and it was the ongoing repercussions of this horrific event our reporting was to be based on. As a bit of background, over one million ethnic Tutsi and moderate Hutus were tortured and murdered during a 100 day rampage by the Hutu dominant government and its supporters. Neighbors, friends and even family members turned on each other. Children lost their families, women were beaten, raped and saw their families cut down in front of them.

During our days there we interviewed a number of woman and orphans and they all spoke of the isolation they felt once the killing was over. With no one to turn to and no one to share their experiences with, the words, “I felt there was nothing to live for”, “I wanted to die” were repeated time and time again. With CAFOD’s support, local NGO, Avega East encouraged those with similar stories and living near each other to join together in associations. As well as providing trauma counseling on an individual and group basis, the charity provides small loans so the survivors can take control of their lives once again.

Below are a few of the pictures taken during the trip. I’ll also be posting links to the articles written by the journalists. For further information about this and the rest of CAFOD’s work please click here.

The Liverpool Echo-Online article

Names on the Kigali Genocide Memorial Centre.

A view over Kigali, the capital of Rwanda. Now peaceful and one of the safest cities in Africa.

Joselyne Ingabire (43) in her garden at home in Rwamagana. During the genocide her husband and family were killed and she was raped and became pregnant and caught HIV. She is now a volunteer counsellor with NGO Avega East.

Odette Mukambayiha who was raped and widowed during the genocide and now lives in Nyagasambu Village where Avega East paid for 35 houses for genocide widows

Collette Musabwasoni (47) lost her husband and five children in the genocide. She nows lives in Nyagasambu Village where Avega East paid for 35 houses for genocide widows. She runs a food stall business paid for by micro credit.

Widows tending their banana plantation in Nyagasambu Village where Avega East paid for 35 houses for genocide widows. They are assisted by micro credit programs enabling them to grow bananas to both eat and sell.

Kiramuruzi sector Abishyize Hawiwe Cooperative who are helped by Avega East to grow bananas. L-R Mukabutare Theopiste & Mukamutara Phelomene carrying bananas.

www.fotofreo.com

I’ve just heard some great news..!

I’ve been awarded a scholarship to attend a 5 day Magnum Workshop Fremantle which is headlining this years FotoFreo 2010: The City of Fremantle Festival of Photography. This is an incredibly exciting opportunity and really couldn’t have come at a better time in my career having just turned freelance.

I submitted the Mongolia story as part of my application but the written statements took quite some time to prepare. I’ve always been interested to know how other photographers gained grants or scholarships so I’ve copied my entry below. I’m certainly not saying this is a model application by any means but it may give other photographers an indication to what is needed. Every admission guideline and photographers history is different but hopefully this will give you an idea of what could be included in your statement.

What I have had reinforced is that you never stop learning. Moving into a freelance environment brings many new challenges from setting up your own computer system to branding and business knowledge. Then there is marketing and developing your own personal style. Each newspaper has its own house style but when you become freelance you can really start putting your own signature to your work that evolves over the years. The Magnum course will give me the opportunity to concentrate my mind and give me more focus and direction which is invaluable.

I’ll keep you posted with any new updates….

How will this opportunity benefit your career ?

This course starts just at the time of an exciting and major changing point in my photojournalism career.  I have recently left my job of 8 years with a UK newspaper and I am about to embark on a freelance career, which I hope will bring greater freedom, creativity and meaning to my work. I am also about to undertake my first long term project. The opportunity this course offers to receive guidance and advice about the dynamics, evolution and creative changes of how a long term project evolves would be invaluable to me.

I thoroughly enjoyed and learnt a great deal working for the Jersey Evening Post, however my true passion is documentary photography and reporting on humanitarian issues. During my time at the paper I used all my holiday time and unpaid leave to go on self assigned and commissioned projects.

Whilst I have had a very positive response to my work and received a number of accolades I feel I have much more potential to fill. My commitment to photojournalism is as strong as the day I started and I believe I would greatly benefit from receiving advice about refining my style, being taught stronger editing skills and having the opportunity to learn new camera and technical skills.

The chance to interact with such established photographers, seeing and learning how they work, operate and conduct themselves would be invaluable as well as being able to discuss and debate contemporary photography practice with other photographers.

This would be my first formal training environment since leaving university and I would relish the intensity and opportunity that this course offers.

…………..

Once again, it’s been awhile but believe me, behind the scenes I’ve been very busy..!!

I haven’t actually shot many pictures which is a bit frustrating but as many of you know, a lot of time is spent sorting out computer systems, archives, marketing, research and everything else that goes into creating a new business and organising foreign assignments so thankfully getting out there and doing what you are supposed to and love doing is just around the corner.

Good progress is being made and I’ll hopefully be posting about some very exciting new projects coming up in the near future so watch this space…!!

As for now, I thought I’d let you know that an image from a shoot I did last year for Rotary Jersey has been awarded Nominee status in the 5th Annual black and White Spider Awards. I’m certainly more of a color shooter and this was my first black and white project I’ve shot in quite some time so it was a pleasant surprise for it to be recognised. The picture was part of a series I did at Jaipur Foot in India. You can see the whole series and text here but basically Jaipur Foot is an incredibly inspiring Ngo set up by the highly energetic and dedicated D.R Mehta. Every day, hundred of people from all over India travel to Jaipur to receive artificial limbs and polio survivors are given tricycles or calipers. All of these services are given for free and it’s literally a lifeline for thousands of Indians who from here can start making a life for themselves with their new found mobility. I only had two days there after shooting the polio eradication story but found the atmosphere positively infectious. In a matter of hours you saw peoples lives transformed.

The image below was shot in the fitting centre where people wait for the limbs to be made. The guy on the left lost his leg in a train accident (most amputations are caused by train incidents) and on the right is an army officer with his new artificial limb next to him. What I liked is the fact all limbs and fittings are completed in an open room so patients can see exactly what is happening. You can see on their faces they are apprehensive but by having everything open the whole process is hopefully demystified.

A Jaipur artificial limb stands between two amputees waiting for a limb fitting.

I’ve just found out the Mongolia project has been chosen as a finalist in the Luis Valtuena Fotografia Humanitaria competition in Spain which is great news as the subject will again receive wider awareness. The winning images are to be exhibited in Spain and around Europe.  The aim of the competition is stated below and one of the main reasons for me entering:

“In these thirteen editions, the award has become a reference for humanitarian photography and its role in bringing a reality, sometimes hopeful, sometimes frightening, but to which one can not remain indifferent.”

The selected final images are, as always, of a very high standard. It is interesting to note maybe that the vast majority of images are either black and white or desaturated images..maybe this is what the majority of entrants submitted or it reflects the preference of the judges or maybe an indication of what Spanish photojournalism prefers..?

The winning images can be viewed  here www.medicosdelmundo.org/luisvaltuena

Munkhbat and Altangeret (both 15) have lived in this manhole together for over three years under the streets of Ulaanbaatar, the coldest capital city in the world. Spending time with them I witnessed what a tough, lonely and violent existence they have to endure in temperatures reaching -40c. They were forced into this situation by divorced and deceased parents but they still hope and strive for a better future. For me this image encapsulates the extremely difficult conditions these boys live in whilst life continues around them, oblivious and indifferent to their plight.”

Well, I’m really pleased to announce that I heard today that I’ve won the Association of Photographers Open Award for a recent assignment in Mongolia.

There was an awards night in London last night which unfortunetly I couldn’t go to because I was on shift but it would have been great to be there.

If you look at the Mongolia link on this blog you can see how the image came about earlier this January and below is an extract from the AOP’s press release:-

“The judges were fascinated by the story behind Richard’s image and commented:

“For me, this ticks all the boxes – emotive subject, great composition and a strong image. It really leaves an impression.”

Deborah Brown (Picture Director) – Grazia Magazine

“Like an urban, nature shot that replaces animals with people – they look like human moles coming up for air. I love what appears to be the spontaneity of this image. And for me, it completely sums up the competition.”

Olivia Howitt (Picture Desk) – Radio Times”

Caption:-

Munkhbat and Altangeret (both 15) have lived in this manhole together for over three years under the streets of Ulaanbaatar, the coldest capital city in the world. Spending time with them I witnessed what a tough, lonely and violent existence they have to endure in temperatures reaching -40c. They were forced into this situation by divorced and deceased parents but they still hope and strive for a better future. For me this image encapsulates the extremely difficult conditions these boys live in whilst life continues around them, oblivious and indifferent to their plight.”

This was a very personal project for me so I’m happy that it’s been recognised by a wider audience and hopefully through this competition more people will have an understanding of what many children are experiencing in Mongolia.

If you are interested in this subject, please have a look at this aid agency in Ulaan Baatar who I met and who are doing a great job trying to help people just like Munkhbat and Altangeret. The Christina Noble Children’s Foundation.